REC or Rec is a shortening of Recording, the process of capturing data onto a storage medium.
REC or may also refer to:
REC 3: Génesis (stylised as [REC]³: Génesis) is a 2012 Spanish horror film directed by Paco Plaza. This film is the third installment of the REC series. It is a parallel sequel to the first two films, taking place before, during and after the films. It was released in cinemas in Spain on 30 March 2012. with more international premiere dates that followed. The world premiere took place in Paris at the Grand Rex on 7 March, followed by midnight screenings at the South By Southwest Film Festival on 9 March. In the U.S., it was released via video on demand on 3 August and was released theatrically on 7 September 2012 in select cities. Sony Entertainment released the DVD on 6 November 2012.
It begins in the series' trademark found footage format but switches to traditional cinematography early on.
The film was followed by a fourth installment, REC 4: Apocalypse, in October 2014.
Koldo and Clara are about to celebrate their wedding day. The wedding is filmed by Koldo's cousin, Adrián, and their wedding photographer, Atun, plus footage cuts from other guests' mobile phones and cameras. The guests travel to the wedding reception, held in a huge mansion, on chartered coaches. Adrián films his uncle, who says he was bitten by a dog, but says he will be all right.
Reç (also known as Reç i Poshtëm) is a settlement in the former Shkrel municipality, Shkodër County, northern Albania. At the 2015 local government reform it became part of the municipality Malësi e Madhe.
MOS is a standard filmmaking jargon abbreviation, used in production reports to indicate an associated film segment has no synchronous audio track. It stands for "motor only sync" or "motor only shot". Additionally, the term has been understood to stand for "mit out sound".
Omitting sound recording from a particular shot can save time and relieve the film crew of certain requirements, such as remaining silent during a take, and thus MOS takes are common on film shoots, most obviously when the subjects of the take are not speaking or otherwise generating useful sound.
In post-production, an MOS take may be combined with miscellaneous sounds recorded on location, the musical soundtrack, voice-overs, or sound effects created by a foley artist.
There are many theories regarding the source of the abbreviation "MOS".
When sound recording reached the point where the sound was recorded on a synchronized but separate piece of media (such as 35mm film, audio tape, or other media) a method of keeping the recording media and camera film "in sync" was needed. The solution was to use a special form of motor which has multiple "windings" in it, and which can be connected to another identical motor in such a way that turning one motor a certain distance will turn the other motor exactly the same distance. The motors did not have to be close together, and, with appropriate circuitry, did not have to be of the same size or power. These motors were called selsyn (self synchronous) motors. A system was created where a single sound recording room could be connected to any of the stages on a studio lot (you can still see the connection points on some of the oldest stages.) The sound mixer (sound man) on stage connected the control panel to the recording room and the camera. There was a selsyn motor on the camera and it was linked to a matching selsyn motor on the sound recording equipment at another point on the studio lot.
The 6551 Asynchronous Communications Interface Adapter (ACIA) was an integrated circuit made by MOS Technology. It served as a companion UART chip for the widely popular 6502 microprocessor. Intended to implement RS-232, its specifications called for a maximum speed of 19,200 bits per second. It was used in the Commodore PET, Commodore Plus/4, Apple Computer's Super Serial Card for the Apple II family, and possibly other lesser-known computers.
Commodore International omitted the 6551 from the popular VIC-20, C64, and C128 home computers. Instead, these systems implemented a bit-banging UART via KERNAL routines. This RS-232 implementation was not reliable over 1200 bit/s (see errata comments in the 6526 article), forcing some programmers of terminal programs to write carefully calibrated custom serial routines. The popular terminal program NovaTerm was able to achieve 4800 bit/s on the C64, and DesTerm achieved 9600 bit/s on the C128. Several other terminal programs achieved 2400 bit/s. Novaterm 9.6 on a Commodore 64 or 128, can achieve a maximum rate of 9600 bit/s on the user port, using an EZ-232 interface, designed by Jim Brain.
Ibiá is a Brazilian municipality located in the west of the state of Minas Gerais. Its population as of 2007 was estimated to be 22,069 people living in a total area of 2,707 km². The city belongs to the mesoregion of Triângulo Mineiro and Alto Paranaíba and to the micro-region of Araxá. It became a municipality in 1923.
Ibiá is located at an elevation of 895 meters, 55 km. east of Araxá just north of highway BR-262. The distance to the state capital, Belo Horizonte, is 324 km. Neighboring municipalities are: Serra do Salitre and Rio Paranaíba (N), Campos Altos (E), Pratinha and Medeiros (SE), Tapira (S) and Araxá (W).
Ibiá is an important railroad junction and its history is tied to the railroad. The Ferrovia da Centro Atlântica, a railroad line used for cargo, passes through the town and divides into the Ibiá-Patrocínio-Brasília line and the Ibiá-Araxá-Uberaba-São Paulo line.
"Ibiá" is an indigenous name meaning "High Plateaus", due to the geographical location of the town.